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    February 24

    Song Sung Blue

    I’m in an email discussion with another Irish singer-songwriter.

    It seems that many of us hold ourselves back creatively and we were sharing our frustration and experience.

    Demons & fears are the single thing that holds back so many songwriters and I include myself in that. Some days I'm confident and others I just wonder who I'm trying to kid. I'm even going through it now with my album recording. On MySpace there is a simple guitar+vocal+cello demo of a song called "Holding On". I started recording a master of it last week and have almost completed it. The problem is that I've recorded it with a full band arrangement. Although I like it I'm not sure if I should stick to the original simple arrangement. I'm trying not to sound like a whiny acoustic folksy singer-songwriter stereotype (I'm looking at you Damien Rice!). I've done this with my song 'Be Alright' which on MySpace is a simple acoustic demo but the ‘album’ version has more in the arrangement.

    I've decided to just get on with it. If I make the wrong decisions on the arrangements and style then so be it. Nobody dies because of it.

    Fortunately I have my own studio which means I can spend entire evenings working on this stuff. Until last year I hardly used the studio for myself and seemed to be always doing stuff for other people and trying to hire it out.

    Many of my friends are musicians (regularly mentioned in this blog) and I have to stop comparing myself to them. Sometimes it feels like I'm only 'pretending' to be a songwriter. They're doing it full time so I'm really only pretending to be an artist. That's a hard one to get over - that feeling that they'll come to the gig, hear the CD but will know that it's not the real deal.

    I think a songwriter needs to set goals and deadlines. I've set myself a goal of having a launch gig in the small room in Whelan's for a CD. Ideally in the autumn. Given that I will be away for 3 weeks this summer and have a demanding day job it's quite a stretch. There's also the small matter of paying for the duplication and hiring the venue. With the goal in mind it's focusing my mind on getting this album done.

    The person I’m corresponding with has set themselves a goal : write a good song this year. But I think they’re not giving themselves a fair chance. My message: If I may be so bold as to make a suggestion: set yourself a target to write as many songs as possible this year. If they're all shite then so be it. But I'll bet you a bottle of your favourite drink that there will be more than one gem in there.
    Back in November I tried the NaSoAlMo project. I blogged about this back in November 2008.

    Now, my point here is that I'm looking back on the songs I wrote and recorded for that project and have decided to keep two of them live on MySpace. I created an 'experimental-me' MySpace at http://myspace.com/iLIVEinAsuitcase . I think I will do something with those 2 songs. Each of them took less than 2 hours from opening a blank page in my notebook to finishing the demo.
    So making yourself just keep outputting songs does yield results.

    I found the open mic scene in Dublin to be very supportive (with only 1 exception really). Just getting out and playing your songs is a great learning process. You find out which material works and you also develop confidence. Most people look in awe at anyone who can play music in front of an audience. Even more people admire anyone who writes and performs their own material. 

    My song writing friend mentioned the inner critic: "As songwriters I know a lot of us wrestle with the 'who wants to listen to me & my ****' mentality.
    Every time I sit at my piano or take up my guitar I think 'oh, what's the point?
    ' “
    why oh why do I limit myself by jumping the gun from idea to fear of doing anything with result of said idea. The result too often is No Result, because I limit & criticise myself from the moment of conception. "

    Very valid points. They’re not alone in this. All I can say is this: the point is that you can do this and others can't. Nobody can write a ‘Peter Fitzpatrick’ song (not even Ron Sexsmith - he can only write Ron songs).
    That moment of conception is where your best ideas are. They don't need to be complex ideas. For all it's complexity Jazz is still just 12 semi-tones. 

    Here endeth the lecture.

    February 22

    His majesty's sarcastic request

    I'm in the middle of republishing all of my old blog posts from MSN to blogspot and I get this error:


    The server reported an error with the following URL:

    http://www.blogger.com/feeds/4442091455711856893/posts/default

    400 Bad Request

    Blog has exceeded rate limit or otherwise requires word verification for new posts

    Well isn't that special ?

    Now that I'm posting directly I can see that it says:

    If you make a large number of posts in a single day, you will be required to complete word verification. After 24 hours, the word verification will automatically be removed.
     
     
    So, my blog is going to live a double life both here and on blogspot until I decide on one or the other.
    February 19

    Always something there to remind me

    I dragged myself back to the gym on Monday after work and managed to get back into it. I forgot how much energy I have after I work out and went into the studio on Monday night.
    I wanted to do something but hadn't really decided just what that something was.
    So I decided to make a start on a properly recorded version of 'Holding On' (there's a demo here on myspace and a link to a live video here).

    Originally I thought I'd do a small intimate version with just a guitar, cello or string section and maybe use the harmonica. What came out of the 3 hours was rewardingly creative.  The track is , I hope, close to a George Harrison 'All Things Must Pass' vibe. There are some real drums, bass, hammond, acoustic guitar and strings. I slept on the track and on Tuesday night I replaced most of the acoustic guitar with electric guitar and used a roto-vibe type sound (think the guitar sound Harrison used during the Get Back sessions in the 'Let It Be' movie). I layered a second guitar sound and was really pleased with the results. I also edited the drum track to map it closer to the track - making sure the rhythm complimented the track. I'm really happy with the dynamic in the song now and still get a little thrill when it hits the solo.

    Right now there's just a guide vocal which is pretty much as it is sung on the demo and how I've been singing it live. Listening to the track I know I'm going to have to rethink the vocal line.  I will need an evening for that and might end up revisiting it a couple of times. The lyric & vocal is so critical. I'm looking forward to doing the backing vocals. I really enjoy stacking up backing vocals because it can really lift a track.  The middle eight section needs some work. The middle8 is the bit in the middle of a song that sounds different to the verse or chorus. Example: Beatles 'Girl' : "she's the kind of girl who puts you down when friends are there you feel a fool, when you say she's looking good she acts as if it's understood..".

    And that was it. Wednesday night I sat in the sunroom with my laptop, small keyboard and headphones. No matter how much I tried the middle8 didn't progress. I think I need to sit with a guitar in the studio for a bit to develop it. It might need backing vocals too. So I'll keep an open mind.
    The truth of the matter though was that by Wednesday between the day job, 2 visits to the gym and 2 nights of creativity I was spent.

    I'd probably have been more frustrated with this in the past but I accept that sometimes it just doesn't happen. Like songwriting you can just hit a wall or a dry spell. I recently had a spell of not writing and over the course of the last 2 weeks I started to eek out some song ideas. It never disappears.

    Like physical exercise I need to do it regularly to keep it 'happening'.


    The middle-age spread isn't disappearing but my energy levels are better and I feel healthier.
    More importantly I see an album on the horizon. A real album. I'm already dreaming about a launch gig.

    That's got to be good.
    February 15

    Grow old with me

    Today I feel old. I had intended going to the gym (not having been for over a week).
    Late nights just kill me nowadays.
    There's always tomorrow.
    February 09

    White Ladder

    Enjoyed my gig in Whelans (see below...). AnnMarie O'Grady was very accommodating and it turns out I had met her accompaniest (Garvan Gallagher) at some point in the past. He was very cool and supportive.  I hope to maybe get asked back sometime. A great little venue.

    Whelans has 3 gigs running simultaneously: the 'main room' is where Pugwash did their album launch last year and it's where I saw Thomas Dolby and almost saw Simple Kid. The downstairs bar usually has some free music at the weekends. The room we played is next to the beer garden & smoking area. It's an L-Shaped room which is usually a pain but it works well here. The bar is at right-angles to the stage and has a sign reminding guests that it is a listening venue (nice one). The fireplace was lit up and the smell of burning logs filled the room.

    AnnMarie has a good crowd coming to her gigs. I have a way to go before I can do that (plus I need to work up more songs but that's another issue...).
    They listened and interacted which is the best part of the gig.  I needed to be done by 9:20pm so I set my mobile phone alarm to go off at 9:15pm. With my phone on vibrate I thought the alarm would just vibrate the phone in my pocket. Of course that didn't happen and I got a nice accompaniment to my song in Aminor.  The audience thought it was funny. They listened to my songs and were very generous in their applause. I couldn't have asked for more.

    Unfortunately nobody I knew was able to go. I'm always at pains to say to folk that I realise they can't go to every gig and not to worry - I'll keep spamming.

    So it seems that the room is not too expensive to hire. I might use it to launch my CD (which is looking more like an EP now). That would be a good night out. I reckon if I gave a CD to every person paying in then I'd cover most if not all of the cost. I could get a couple of friends to play and maybe even get a video from the night.

    Maybe that'll be the gig where I'll try to get everyone to turn up. Now *that* would be quite a night alright.

    Something nice to look forward to. It's been a very stressful week and I'm glad to be finally getting on with my life again.




    February 06

    Rocking Robin

    Listening to the Phil Wilding & Phill Jupitus podcast today they did a little mention of 'Twitter'




    So I decided to create an account http://twitter.com/iMADEtheBBC to see what would happen.

    The only person I had heard of who uses Twitter is of course Stephen Fry ( I couldn't remember Phil Wilding's twitter ID).
    So I'm "following" Mr Fry.  He Tweets and I follow. (Not that he's Tweeted yet but I'm hopeful of activity later this evening).

    I'm not quite sure what it is I'm going to get from this Twitter service.

    I was reminded of a story that Cilla Black told. When she became successful in '63-'64 she was put in a nice hotel in London by Brian Epstein. She had just appeared on TV and was incredibly excited. When she got back to her hotel room she spotted a telephone by the bed and decided she had to share her excitement with someone.
    She picked up the receiver and put her finger to the rotary dial. Then the remembered..... she didn't know anyone back in Liverpool who had a telephone.


    February 05

    Getting Closer

    This songwriting and performing lark throws up some surprises every now and again.

    Late last night I got a reply to an email I had sent almost a year ago to AnnMarie O'Grady who had promoted a gig in our office through some friends. I asked for a support slot. Unfortunately at the time someone was already lined up.

    AnnMarie is playing in a well known Dublin venue this Sunday and I'm playing support.

    Back in 2007 I set myself a few goals for my music. One of them was to play Whelans because it's one of the better gigs in town.

    Hopefully this will be the first of many. I like the idea of playing little anonymous gigs for 2-3 years and getting my name around town as a reliable interesting person to open a show. Now and again just playing my own gig would be nice but I'm realistic enough to know that I'm not 19 anymore. 

    So thank you AnnMarie. I hope your audience like my material.

    In other news I did an interview and live performance back in December for a local radio station.  Thanks to Dan Prendiville I have an MP3 of the show. You can download it here.

     

    Annmarie gig poster

    I'm Alright Jack

    Last week I intervened to stop some children who had gone into a building site  from placing themselves in danger.

    For my trouble I've had a whole boatload of hassle. My worst nightmare.

    So I've decided to make a change in my attitude to 'doing the right thing'. I'm not going to do it anymore because it's not worth it.
    Next time I see some kids putting themselves in danger I will walk on by.  Sorry neighbour but if I see them hanging around your house good luck because I'm not getting involved. Fly tipping ? Go for it mate because it's not my job to report you. Driving like a maniac ? Be my guest, just keep out of my way.  Kids throwing crap at cars on the street ? Let someone else deal with it. Not my problem.

    This is completely selfish, mean spirited and anti-social.

    I know this.

    It's me or it's them.

    It ain't gonna be me.

     

    fuckyou

     

     

     

    and in other news.... life sucks sometimes :-)